i would like to extend a warm welcome to all of the new
subscribers who have joined our ranks since the last edition.
for those of you have been around for a while, your continued
support is greatly appreciated.
anytime you want to review past issues, an archive page has
been created for them here. for now, let's
dive into this month's topics....
| shine 'em up |
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have you ever noticed that when you get something new (like a
car, or bike, or even shoes) you tend to baby them at first.
they're handled with kid gloves and dirt had better not think of
getting on them. then over time dirt isn't such a big deal and
you can tolerate minor scratches. this trend until that shiny
new X looks like it's been left
in the barnyard!
why is this?? some of it probably has to do with how
things become normal, everyday, and frankly boring to us. you
see
X all the time. what's exciting about that? other
reasons could be distractions by
other "new" and exciting things or the
effort required to maintain X is just too great. This is
what happened to me and my beloved cymbals.
soo shiny and brilliant for the first few months. after several
setup/teardowns and the oxidation process that affects every
cymbal, i bought a tube of cymbal paiste designed specifically
for
them, because i'm not about to use anything but the best
factory recommended clean & shine i can get! after
following the directions and eagerly cleaning my cymbals, i
became concerned. this was a lot of work. wax
on, wax off- maybe i'd pickup some karate skills while at it?!
;-)
after going through this laborus task a second time, i took a
long break from cleaning my cymbals. this was partly to avoid
the work and partly because i had grown accustomed to their
bleak appearance. finally i decided to research what other
drummers did to clean their cymbals. i came across all types
of methods, from various cleaning brands to home potions that
looked more like a chemical weapon than a cleaner.
my decision was to try a spray-on cleaner that is quickly
washed
off. i was in complete awe at how quick and easy it was to
use. gone were the days of tennis elbow. the only catch was
the irritating vapors caused by the acidic contents. actually all
cleaners are somewhat acidic, the difference is that this one is
sprayed and others are in a paste-like form. an easy solution
is to get a respirator (which looks like a dust mask but is more
resistant to acidic vapors). they're
pretty cheap and can be bought at most hardware stores or
places that sell paint.
i now clean my cymbals on a regular basis and have come to
treat them with more care and respect. there are several
brands that make great spray on cleaners. two that i
recommend are the sabian and groove
juice cymbal cleaners.
as
always, be sure that you can use this type of cleaner on your
cymbals before
applying it. most cymbal makers have contact information on
their websites and will be happy to guide you in the right
direction. the point of this article is to encourage you to seek
out a good cleaner for your cymbals that is easy to use and
promotes regular maintenance of those gems!
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| drum teacher highlight |
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whether you realize it or not, your grip and approach to
sticking is critical to how well (or limited) your drumming will
be. ian phillips shares tips and advice gained from his
years of teaching and playing.
what's the correct way to hold sticks? what's the best way to
hold sticks? what's the best grip? is it matched grip overhand,
matched grip timpani, traditional grip. well the obvious answer
is the grip that works.
as drummers we don't have to work on
striking the drum, anyone can strike a drum with a stick. after
a drum has been struck we have to work on getting the stick in
a position to strike the drum again, and again, and again....you
get the point. this is accomplished with rebound and back-
stroke.
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| rudiment of the month |
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the 9-stroke roll is one of the 26 NARD (national association of
rudimental drummers) rudiments. as mentioned in the january
newsletter, the name indicates the number
strikes. so now we're looking at 9 strikes. just like the 5-
stroke and 7-stroke rolls, these can be played with single
or double strikes per hand (LRLR or LLRR).
the 9-stroke is an alternating pattern
that starts and ends on the same hand. here's the double
stroke pattern: RRLLRRLLR LLRRLLRRL.... an so on. This
makes it easy to alternate starting hands. i would like like to
suggest that you practice both alternating the starting hands
(L...L R...R) AND repeating the starting hands (L....L L....L)

a great thing about the 9-stroke roll is that it is getting long
enough to develop a feel for the number of strokes rather than
focusing on the counts. you should count at first
to be sure that you're executing enough strikes, then as
your tempo/speed builds, it becomes less technical and more
felt.
a few helpful tips were offered in december 2004's
newsletter for practicing the long roll. these tactics can applied
to the 9-stroke roll as well! if haven't
seen them, or
don't recall,
check them out HERE.
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Featured Article |
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some of the best drummers have a problem with simplicity. it
sometimes seems that it is much easier to play fast and
complex.
then along comes the lifeless boring ballad that will
tend to drive any drummer up the wall.
most drummers are alike on this issue! we love songs that
cook and we hate dull boring music that lacks exciting rhythms.
if we are jamming alone at home with the stereo, it is easy to
simply ignore the draggy stuff and play only the fun music.
Go to the complete article
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