MicBay Innovations
[the connection] Vol. 05, Issue 02
February 2005

i would like to extend my warmest thanks for your support of DrumJunction.com! traffic and newsletter subscribers are on the rise and that encourages me to work even harder to present helpful drum tips, information, and ideas for my fellow percussionists.

in this issue
  • Featured Article
  • submit an article
  • drum teacher highlight
  • rudiment of the month

  • submit an article

    as you are probably aware, DrumJunction.com has a section that contains articles of tips and advice submitted from teachers, professional drummers, and those working in a drum-related industry. although this section was created as a fun idea, it has become the most visited area on the site!

    this makes sense because we're all looking for good advice from people who have walked the walk and are willing to share it in a no-hype environment. therefore i would like to extend a formal invitation to those qualifying as drum/percussion teachers, professional players, and those working in a drum-related industry to submit an article for others to benefit from.

    for more information on what i'm looking for and how to go about go here.


    drum teacher highlight

    last month karlston yago shared advice on creating a media package from experience he has gained as the vice president of marketing and advertising for a recording label. now he gives some juicy tips for aspiring bands on what the recording labels are looking for...

    so you want to know what a band or individual needs to make it in the music industry? you think you have what it takes to sell a million dollars worth of CD units at your local music outlet? or even worse, do you think you are ready to have your music pirated, therefore reaping you of the thousands, if not millions you rightfully deserve?

    well for your band to be even considered to join these ranks, we are looking for only 5 things. every band from Elvis to System of a Down went through this kind of scrutiny. some had the gift, while others had to work on it and be re- examined.


    rudiment of the month

    the 7-stroke roll is one of the 26 NARD (national association of rudimental drummers) rudiments. as mentioned in the january newsletter, the name indicates the number strikes. so now we're looking at 7 strikes. just like the 5- stroke roll, these can be played as a single stroke or double stroke.

    unlike the the 5-stroke roll however, the 7-stroke is a repeating pattern that starts on one hand and ends on the other. for instance, if you start on the right hand, you'll end on the left OR if you start on your left hand you'll end on your right. here's the double stroke pattern: RRLLRRL RRLLRRL.... an so on.


    there are 3 way you can practice the 7-stroke roll in order to strengthen your weak hand and improve balance:

    1. play the entire slow-fast-slow exercise leading from your left hand;

    2. play it through again leading from your right hand;

    3. alternate hands - continuously. alternating is a bit tricky but it really forces you to "feel" the roll rather than focus on technical issues like which hand is starting or the number of strokes.

    a couple helpful tips were offered in december's newsletter for practicing the long roll. if haven't seen them, or don't recall, check them out HERE.


    Featured Article

    last month i raised the question of why most drum sets come with a 14" X 5" (or 5.5") snare drum. this month i think it would beneficial to review some of the "other" sizes available and find out how changing the diameter and depth affects sound.

    in addition, there are several unique construction techniques that affect the look and sound of snare drums.

    Go to the complete article
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