MicBay Innovations
[the connection] Vol. 04, Issue 12
December 2004

Greetings Everyone,

i hope the end of 2004 is treating you well and you've had plenty of opportunities to do what we love best.....play the drums!

your support and interest in drumjunction.com is greatly appreciated! as always, my goal is to present valuable information through this newsletter and the website, regardless of your skill level or primary instrument.

so let's dive in...

in this issue
  • Featured Article
  • got 15 minutes?
  • drum teacher highlight
  • rudiment of the month

  • got 15 minutes?

    just when you thought your schedule was full enough, here comes christmas shopping and holiday parties. what about practice? keeping your sticks sharp?

    a simple solution lies in how we learn. here's what i mean- our minds work better with short repetition rather than prolonged exposure. therefore it is better for you to spend 15 minutes a day practicing than it is to spend an hour and a half once a week.

    try it both ways and see what you think. you just might be surprised!


    drum teacher highlight

    will scott shares some advice on tuning a snare drum from experience he has gained over the years. check it out...

    tuning a snare drum is probably one of the the most frustrating hurdles for a beginning or intermediate drummer. here are some basic tips.

    is your snare wood or metal? METAL snare drums have a natural 'resonance' that is more prominent than WOOD snare drums.

    resonance is the natural, inherent reverberation of any instrument... for drums, or in simple terms: it is the "ring". to correct the high resonance of a metal snare drum without an expensive accessory, tape a business card about 1/2" from the rim on the head (experiment with the distance from the rim for different resonance changes.).


    rudiment of the month

    the long roll, the mother of all rudiments, where it all begins.

    mastering the roll is not only key to playing most of the other rudiments well, but also key to solid control with various playing surfaces- be it toms, cymbals, wood blocks, or even hand drums!

    rolls of any length can be played open or closed. for this talk, i will focus on the open roll since it will aid the most in stick control development.

    the technical description is quite simple- two beats per hand - alternated: RR LL RR LL....start slow and increase the speed. the moment you start 'bouncing' them, you've lost control. call this your threshold. this is the speed you want to work past with controlled attack and rebound. don't forget to use your fingers and wrists to move the stick- NOT your arms.

    although the long roll is a core rudiment, it can be boring compared to others. i would like to challenge you to practice it in two ways you may not have tried before:

    #1 get away from anything that resembles a drum, and take your sticks to a soft playing surface. this could be your pillow, your bed (just not a loved one's butt).

    #2 turn your sticks backwards, pointing in towards your forearms (as shown in the picture above). this little trick not only helps to develop finger strength but also controlling attack since the harder you hit, the more it stings.


    as a general reminder for playing rudiments, start slow, painfully slow, then build your speed gradually. pay attention to the balance of your hands in terms of speed and attack. once you have reached a speed that is fast, comfortable, and you don't fumble the ball, slow it back down [gradually] to the initial speed.


    Featured Article

    i occassionally run across the question of acoustic vs. electronic drums. MY question is why should one verse the other? they're both tools for creativity- right?

    i like to suggest mixing the two. add a couple electronic pads (either mesh head or gum rubber) to your acoustic kit and include a drum module within reach.

    or what about this...trigger a couple or ALL of your acoustic drums for temporary use as electronic drums?

    the possilbities are wide open. we just need to bone up the various types of drum triggers and how they can be applied.

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